needsbrazerzkidai.blogg.se - Song the girl sings in redline the movie

Song the girl sings in redline the movie professional#
Song the girl sings in redline the movie free#

īelow these, fell those whose services were purely sexual. However, they charged less than the Changsan, and accordingly their beauty, singing, and performances were not as good. While Yao'er prostitutes were lower tier than Changsan, they still focused on entertainment as well as sexual services. Originally there was an intermediary class called the Ersan ("two three") however, over times these became considered the same class as the Changsan. It was named this way because they traditionally charged one yuan for entertainment and two for company.

Yao'er – The Yao'er ("one two") was the lower tier equivalent of the Changsan.

Still, however, such relations were neither permanent nor monogamous. For instance, their intimate company would require an elaborate period of courtship. They maintained the class and artistry akin to the Shuyu, while still being distinctly part of the sex trade. The term originally came from them charging three yuan for company and three more to spend the night.

Changsan – The Changsan ("long three") were the highest class of prostitutes.

Given time, the Shuyu class of entertainer would become assimilated into the Changsan class of prostitutes as a result of their reluctance towards offering sexual services. They were not known for their sexual services so much as for their artistry. Additionally, these were picked for beauty, trained in sophisticated conversation, and known for their extravagant dress. These were skilled in cultured entertainments such as singing, playing instruments, writing poetry, and performing opera.

Song the girl sings in redline the movie professional#

Shuyu – Highest class were the Shuyu (storytellers), who traced their professional roots back to ancient imperial entertainers.

Over time, these would evolve, beginning with one class, developing into four, and consolidating down to two before becoming obsolete during the Cultural Revolution.

Song the girl sings in redline the movie free#

Many sing-song girls married their sponsors to start a free life.Īmong sing-song girls were actually several subclasses of performers divided by the quality of skill. The girls had one or several male sponsors who might or might not be married and relied on these sponsors to pay off family or personal debts or to sustain their high standard of living. Sing-song girls often performed amateur versions of Chinese opera for clients and often wore the traditional Chinese opera costume for small group performance. Often they wore Shanghai cheongsam as upper-class Chinese women did. Sing-song girls did not have distinctive costumes or make-up. They generally saw themselves as lovers and not prostitutes. Not all performed sexual services, but many did. Sing-song girls were trained from childhood to entertain wealthy male clients through companionship, singing and dancing in special sing-song houses. The word sian sang in this case is a polite term used to refer to an entertainer. The term was pronounced like "sing-song" in English and the young women always sang to entertain the customers thus Westerners called them Sing-Song girls. According to the 1892 fictional masterpiece by Han Bangqing called Sing-Song Girls of Shanghai (later adapted into the 1998 film Flowers of Shanghai), people in Shanghai called the women who performed in sing-song houses 先生 ( pinyin: xiānshēng) in the Wu language. There is another theory of the source of the term. Thus the term "Sing-Song Girls" came about. Western observers in China during the nineteenth century witnessed these women singing but had no idea what to call them since they were not classified as prostitutes.

Many of these courtesans would sing songs to attract potential husbands, hoping to become secondary wives.

A man might choose a courtesan to be his concubine. Concubines would co-exist in the family along with wives and children. The custom could be invoked without the wife's consent: the husband's actions were protected by law. To ensure male heirs were produced, it was a common practice for an upper-class married male to have one or more concubines, provided he could support them. In Chinese custom, males carry the family name and the family's heritage after marriage. Before the founding of modern China in 1911, concubinage was legal.